Straying (2022) review [Camera Japan 2022] by psycho-cinematography / Anime Blog Tracker

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Riverside Mukolitta (2022) review [Camera Japan Festival]

A highly touching narrative about re-finding social life.

psycho-cinematography

Sep 29, 2022 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Camera Japan Announces Complete Programme for 2022

In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.

Windows on Worlds

Sep 24, 2022 • Subscribe

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”

psycho-cinematography

Sep 29, 2021 • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Love Will Tear Us Apart (2023) review [Camera Japan Festival]

A narrative that blows a refreshing wind in both the slasher and the romance genre.

psycho-cinematography

Sep 25, 2023 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Camera Japan Announces Complete Programme for 2023

In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October

Windows on Worlds

Sep 21, 2023 • Subscribe

Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102

On this episode of the Japan Station podcast, we talk to Wombat, one of the creators of Japan Trail Cam. About Wuon-Gean Ho Wombat spends his day in…

Japan Station: A Podcast About Japan by JapanKyo.com

Nov 15, 2022 • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”

psycho-cinematography

Sep 23, 2021 • Subscribe

Hand (2022) review [Japan Cuts 2023]

Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.

psycho-cinematography

Aug 22, 2023 • Subscribe

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…

psycho-cinematography

Jan 23, 2024 • Subscribe

Howling (Japan, 2022) [OAFF 2022]

Jason Maher reviews M Haris Sheikh's neo noir Howling.

VCinema

Apr 18, 2022 • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

Random Call (Japan, 2022) [OAFF 2022]

Jason Maher reviews Riki Ohkanda's comedy-drama Random Call.

VCinema

Apr 3, 2022 • Subscribe

Angry Son (Japan, 2022) [OAFF 2022]

Jason Maher reviews Kashou Iizuka's drama Angry Son.

VCinema

May 24, 2022 • Subscribe

Bagmati River (Japan, 2022) [OAFF 2022]

Jason Maher reviews Yusaku Matsumoto's short film Bagmati River.

VCinema

Apr 7, 2022 • Subscribe

Charlotte

Summer Wedding (Japan, 2022) [OAFF 2022]

Jason Maher reviews Azusa Hieda’s short film Summer Wedding.

VCinema

Jun 24, 2022 • Subscribe

Japan Diary: July 2022

The start of July called for more organisation than I’m used to, but I was determined to hit the ground running. Time was running out to get things…

IGIRISUJEN (AGAIN)

Aug 7, 2022 • Subscribe

Japan Diary: February 2022

As much as I was hoping that February would bring more positivity… that didn’t exactly happen.

IGIRISUJEN (AGAIN)

Mar 13, 2022 • Subscribe

Japan Diary: June 2022

June started off the best way I know how: with plenty of opportunity to socialise.

IGIRISUJEN (AGAIN)

Jul 10, 2022 • Subscribe

Japan Diary: May 2022

While my first few days of May were very uneventful, Golden Week was about to kick off properly.

IGIRISUJEN (AGAIN)

Jun 19, 2022 • Subscribe

Japan Diary: January 2022

At the end of my last diary post, my positive COVID test had completely ruined my plans to fly back to Japan as scheduled. All of a sudden,…

IGIRISUJEN (AGAIN)

Feb 20, 2022 • Subscribe

Japan Diary: April 2022

Between having a rough few months and the self-imposed deadline to fulfil my Japan travel goals approaching, I figured that having a few days away would be the…

IGIRISUJEN (AGAIN)

May 15, 2022 • Subscribe

North Shinjuku 2055 (Japan, 2022) [OAFF 2022]

Jason Maher reviews Daisuke Miyazaki's sci-fi short North Shinjuku 2055.

VCinema

Apr 18, 2022 • Subscribe

Blue (Japan, 2021) [JFTFP 2022]

Arthi Vasudevan reviews Keisuke Yoshida’s boxing drama Blue.

VCinema

Feb 19, 2022 • Subscribe

Hyper Japan Festival, London 2022

For three days in late July, Battersea Park in London England was taken over by Japan. I’m talking about the Hyper Japan Festival, of course! Going strong since…

Beneath the Tangles

Sep 7, 2022 • Subscribe

UCL-Japan Youth Challenge 2022...

UCL-Japan Youth Challenge 2022 Between 2nd August and 23rd August 2022, the UCL-Japan Youth Challenge held its 8th annual summer school programme for pre-university students. This year, due to…

Japan Foundation

Sep 6, 2022 • Subscribe

Out of TOKYO 202x (Japan, 2022) [OAFF 2022]

Jason Maher reviews Akinori Ikuse's short film Out of TOKYO 202x.

VCinema

May 15, 2022 • Subscribe

In China, Behind the Camera

An ink-wash animation pioneer, plus animation news.

Animation Obsessive

Mar 18, 2024 • Subscribe

The Nighthawk’s first Love (2022) review [Female Gaze – Japan Society]

An understated and moving exploration of the impact the demand for the other’s love has on the subject’s ‘relational’ signifiers and acts and of the importance of one’s…

psycho-cinematography

Dec 16, 2022 • Subscribe