Anime Blog Tracker

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

Review: Between Us (2021)

Between Us 我没谈完的那场恋爱 China, 2021, colour, 16:9/2.35:1, 95 mins. Director: Zhao Yu 赵宇. Rating: 6/10. Yoyo-ing between the present day and the Cultural Revolution, this light drama is…

Sino-Cinema 《神州电影》

Sep 10, 2021 • Subscribe

Love Will Tear Us Apart (2023) review [Camera Japan Festival]

A narrative that blows a refreshing wind in both the slasher and the romance genre.

psycho-cinematography

Sep 25, 2023 • Subscribe

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Riverside Mukolitta (2022) review [Camera Japan Festival]

A highly touching narrative about re-finding social life.

psycho-cinematography

Sep 29, 2022 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”   

psycho-cinematography

Sep 23, 2021 • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”  

psycho-cinematography

Sep 29, 2021 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

[Analysis] Musical Literacy Between US and Japan + [Review] Solo Leveling’s Album

Source: By: Peggy Sue Wood | @pswediting I participated in choir for close to six years, but despite that lengthy involvement, I must clarify that I lack musical…

The Anime View

Apr 6, 2024 • Subscribe

Solo Leveling

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

The White and Blue Between Us Review

The one-shot Boy’s Love manga The White and Blue Between Us is a heartwarming story about first love and second chances.

The Wonder Of Anime

Jan 24, 2024 • Subscribe

Between Us (藍に響け, Yasuo Okuaki, 2021)

A sullen young woman learns how to connect through the power of taiko in Yasuo Okuaki’s intense manga adaptation

Windows on Worlds

Oct 6, 2021 • Subscribe

Among Four of Us (Japan, 2020) [OAFF 2021/JAPAN CUTS 2021]

Jason Maher reviews Mayu Nakamura’s short Among Four of Us.

VCinema

Aug 30, 2021 • Subscribe

The White and Blue Between Us Manga Review

This is only a one-volume story, and it simply doesn't have the space to give us the needed depth of emotion, especially for lead character Mishima.

Anime News Network - Views

Mar 4, 2024 • Subscribe

[Theory/Analysis] Musical Literacy Between US and Japan + [Review] Solo Leveling’s Album

Source: https://www.play-asia.com/solo-leveling-original-soundtrack/13/70gxob By: Peggy Sue Wood | @pswediting I participated in choir for close to six years, but despite that lengthy involvement, I...

The Anime View

22 days ago • Subscribe

exception, Solo Leveling

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Camera Japan Announces Complete Programme for 2022

In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.

Windows on Worlds

Sep 24, 2022 • Subscribe

Camera Japan Announces Complete Programme for 2023

In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October

Windows on Worlds

Sep 21, 2023 • Subscribe

Book: The Silence Between Us by Alison Gervais

The Silence Between Us  by Alison Gervais is a coming of age YA romance that features a Deaf protagonist! September is Deaf Awareness Month,...

Celestial Moon Entertainment Reviews

Sep 17, 2021 • Subscribe

Letters from Japan: “Breakdowns Between Couples”

Savvy Tokyo's resident "Love in Japan" columnist, Hilary Keyes, answers anonymous questions from readers on everything from dating in Japan to women’s health issues. Got a question you’d…

Savvy Tokyo

Oct 22, 2021 • Subscribe

Follow The Light (2021) review [Fantasia Festival 2021]

The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths…

psycho-cinematography

Aug 3, 2021 • Subscribe

Girl from Phantasia

Between the Sun and Us: A Memoir (opening lines)

I couldn’t help but feel like a fraud. Here I was, leaving behind everything I’ve ever known in the hopes of finding something better. But what if I…

Nicholas Andriani Rankin

Feb 15, 2023 • Subscribe

Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102

On this episode of the Japan Station podcast, we talk to Wombat, one of the creators of Japan Trail Cam. About Wuon-Gean Ho Wombat spends his day in…

Japan Station: A Podcast About Japan by JapanKyo.com

Nov 15, 2022 • Subscribe

Tokyo Revengers (2021) Review [Fantasia Film Festival]

“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”

psycho-cinematography

Aug 16, 2021 • Subscribe

Girl from Phantasia, Tokyo Revengers

Hyper Japan Festival, London 2022

For three days in late July, Battersea Park in London England was taken over by Japan. I’m talking about the Hyper Japan Festival, of course! Going strong since…

Beneath the Tangles

Sep 7, 2022 • Subscribe

Kakegurui 2: Ultimate Russian Roulette (2021) review [Fantasia Festival 2021]

“Hanabusa’s second outing proves to be as enjoyable and thrilling as the first.”

psycho-cinematography

Nov 23, 2021 • Subscribe

Girl from Phantasia, Kakegurui

Spaghetti Code Love (2021) review [Japan Cuts 2021]

“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…

psycho-cinematography

Oct 16, 2021 • Subscribe

Mari and Mari (2021) review [Japan Cuts 2021]

“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”    

psycho-cinematography

Sep 12, 2021 • Subscribe

Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]

Jason Maher talks to Mayu Nakamura about her short film Among Four of Us.

VCinema

Aug 30, 2021 • Subscribe

Dreams of Fire (2021) review [Fantasia Film festival]

“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”

psycho-cinematography

Aug 25, 2021 • Subscribe

Girl from Phantasia

An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]

An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]

Genkinahito

Sep 23, 2021 • Subscribe

Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]

“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”

psycho-cinematography

Aug 31, 2021 • Subscribe

Kiba

Short Movie Time: Honeymoon (2021) review [Japan Cuts 2021]

“A pleasing narrative about the arbitrariness of language and culture.”

psycho-cinematography

Nov 9, 2021 • Subscribe

Mari and Mari (Japan, 2021) [JAPAN CUTS 2021]

Jason Maher reviews Tatsuya Yamanishi's romantic mystery Mari and Mari.

VCinema

Sep 5, 2021 • Subscribe

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I  volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe