“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
Apr 30, 2021 • Subscribe
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On this episode of The One Piece Podcast, Zach and Ed go through a Manga Recap for chapter 685, “My Name is Momonosuke” and an Anime Recap for…
Goto-san (2021) review [OAFF 2021]
“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
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This was a very sweet episode, figuratively and literally!
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A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…
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“A pleasant experimental short.”
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A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
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A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
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A very strong debut by Haruki Kinemura.
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The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support…
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A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
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OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
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A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
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Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
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“A splendid debut by Shuna Iijima.”
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“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
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An endearing and fragrance rich tale of subjective change.