The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support and jump-sta…
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V. MARIA (2025) Director: Daisuke Miyazaki [Osaka Asian Film Festival 2025]
In Daisuke Miyazaki’s V. MARIA, the passing down of Visual Kei culture and love from one generation to the next is genuinely moving and the stylish delivery of…
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Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.
Yoyogi Johnny (2025) review [OAFF 2025]
Kimura’s choice to give the tragical dimension of love a deadpan comical twist pays off, creating a unique narrative that will resonate with youth and those who have…
I Am Kirishima (2025) review [OAFF 2025]
A timely narrative that highlights the inert quality of a societal field structured by capitalism and right-wing nationalism.
Junketsu no Maria Review
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Junketsu no Maria Review
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Maria Holic
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Amalock (2024) review [OAFF 2024]
A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
Snowdrop (2024) review [OAFF 2024]
A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
Cafune (2023) review [OAFF 2023]
A very strong debut by Haruki Kinemura.
Suton (2024) review [OAFF 2024]
Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.
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Akujiki no Maria
A manga about St. Avline Academy which houses twelve female students. One night at dinner a student is killed during a blackout. Since the teachers refuse to report…
Blue Imagine (2024) review [OAFF 2024]
A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
Faraway Family (2023) review [OAFF 2024]
A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.
Random Call (2022) review [OAFF 2022]
Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
Goto-san (2021) review [OAFF 2021]
“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
Wash Away (2024) review [OAFF 2024]
A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
Sumiko 22 (2024) review [OAFF 2024]
A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.
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I’m leery of Shaft as a studio, but Zetsubou Sensei was pretty good, and the premise for Maria Holic sounded potentially funny, so I figured I’d give the…
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When Yakeno Yahachi, better known to his friends as “Yakeppachi” (i.e. “desperate”), has ectoplasm seep out of his nose, he does what any normal teenage boy would do…
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When Yakeno Yahachi, better known to his friends as “Yakeppachi” (i.e. “desperate”), has ectoplasm seep out of his nose, he does what any normal teenage boy would do…
Sweet Bitter Candy (2021) review [OAFF 2021]
“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
Side by Side (2023) review [OAFF 2023]
A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
Our House Party (2022) review [OAFF 2022]
Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
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“A splendid debut by Shuna Iijima.”
Performing Kaoru’s Funeral (2023) review [OAFF 2024]
Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.
OAFF 2022 Special
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OAFF 2022 Special
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Ask For The Moon (2022) review [OAFF 2024]
A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.
A New Wind Blows (2021) review [OAFF 2021]
A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…
Far Away, Further Away (2022) review [OAFF 2022]
“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
Memories of this Scent (2024) review [OAFF 2024]
An endearing and fragrance rich tale of subjective change.
Short Movie Time: Outsourcing (2022) review [OAFF 2022]
“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”
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A peacemaking witch endeavors to save humanity, but at the cost of her . . . virginity!?
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The Light Of The Spring (2022) review [OAFF 2022]
“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”
Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]
An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.
Sanka: Nomads of the Mountains (2022) review [OAFF 2022]
“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”
Short Movie Time: Bagmati River (2022) review [OAFF 2022]
“A beautiful poetic short that elegantly plays with the contrast between life and death.”
The Burden Of The Past (2023) review [OAFF 2023]
With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.
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