Japanese actress and recording star Hibari Misora made a series of four musicals with two other singing stars, Chiemi Eri and Izumi Yukimura, who were known collectively as “Sannin Musume” (girl tr…
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May 29, 2022 • Subscribe
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A Musical Up-Roar: The Last Years
After MGM closed their home grown animation department, they chose Gene Deitch, and later Chuck Jones, to keep Tom & Jerry alive on the big screen.
Phantom Blood Musical Faces Last-Minute Cancellations, Sparking Outrage
JoJo's Bizarre Adventure: Phantom Blood musical's premiere delayed from February 6 to February 10, angering fans whose tickets were cancelled.
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Travels of Hibari and Chiemi: The Tumultuous Journey (1962) review
“This film remains, after all these years, a highly enjoyable narrative that succeeds to please the spectator with heart-warming light-heartedness, comical action, and beautiful musical momen…
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This week we’ll take a brief musical detour into work that Mintz was doing on the side of his Columbia contract.
Musume Monogatari + Musume Monogatari ALIVE! – The Official Morning Musume Mangas!
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Raya and the Last Dragon
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From Hibari to Yu and beyond – trans* characters in anime
In the previous post, I made some short mention about gender identity representation, but wanted to dedicate more space. Manga in general have faired better and you can…
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雲雀恭弥 (Hibari Kyoya)
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Holiday Review #25: STOP!! HIBARI-KUN
With so many long-shot older manga releases coming out this year from so many different publishers, it was legitimately hard to pick one to close out this year's…
Holiday Review #25: STOP!! HIBARI-KUN
With so many long-shot older manga releases coming out this year from so many different publishers, it was legitimately hard to pick one to close out this year's…
Travels of Hibari and Chiemi 2: The Lovebird’s 1000 Ryo Umbrella (1963) review
“A highly enjoyable sequel that, once more, delivers heart-warming light-heartedness, comical action-sequences, and touching musical moments.”
You Missed Anime's Best (And Only) Musical
Anime finally gave us an actual musical, and nobody watched it. Join our Discord! https://discord.gg/PhenomSage Twitter: https://twitter.com/PhenomSage MyAnimeList: https://myanimelist.net/profile/PhenomSage 00:00 - Originality is dead… or is it? 01:34 - What is Healer Girl? 02:35…
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Sailor Moon Musical: 2024 Nogizaka 46 Musical BluRay
Even though the musical has only played for a couple of days now, the official...
Musical Pamphlet Takedown
The gallery and download files for the pamphlet of the 1997 summer special Sailor Moon musical, Eien Densetsu, have been removed.
My Fave Is Problematic: Stop!! Hibari-Kun!
The dichotomy of Hibari as both a progressive trans narrative and an ignorant product of its time showcases Japan's complicated relationship with trans women and other marginalized groups.
INTERVIEW: How Peow2 Licensed Stop!! Hibari-kun!
How did an indie comics publisher license Stop!! Hibari-kun!, a beloved comedy manga classic? PEOW co-founder Patrick Crotty has the details.
Sailor Moon Musical: 2024 Nogizaka 46 Musical – 5th version
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Last Quarter and Sketchy
Watch women’s sports! The PWHL (Professional Women’s Hockey League) has been streaming on YouTube and is an...
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Monster Musume
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Uma Musume 3 – Episode 9 – The KitaDia Date and The Rematch
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The Traditional Catholic Weeb Speaks: Musical Numbers
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The Language Barrier: Musical Resonance in Anime
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Death Note the Musical London UK Details
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Hebī Metaru: The Musical References of Mamoru Nagano
Musical in-jokes and allusions run deep in the works of mecha maestro Mamoru Nagano.
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The Forgotten Era of Japan’s Musical Comedy Films
Musical comedies dominated the screen in Japan's pre-war and post-war eras. Here are some classics for your viewing pleasure.
Columbia’s Musical “Gems” – More 1935
Continuing with a run of 1935 titles featuring original song compositions.
Musical Performances in Sound! Euphonium
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Columbia’s Musical “Gems” 1932-34
The cartoon department didn’t have any stellar successes, but were producing a consistent line of cartoons that pleased exhibitors and audiences alike.
Columbia’s Musical “Gems” – 1935-36
One can only wonder what exhibitors thought of the Columbia cartoons, which continued to improve artistically as the years went by.
A Musical Up-Roar: 1952
Fewer cartoons, but lots of discography today, as trends continued at MGM favoring original scores over Tin Pan Alley.
Columbia’s Musical “Gems” 1933-34
The Mintz studio began closely paralleling the efforts of Walt Disney, and embellishing the motion of both Scrappy and Krazy Kat.
Columbia’s Musical “Gems” 1934-35
More from the same season as last time, but an increasing tendency to compose new pieces exclusively for use within the cartoons.
Columbia’s Musical “Gems” 1930-32
Joe De Nat’s music is peppy, without being all that distinctive. But his use of popular tunes continues.