“Hani’s narrative is not only be the best film of Susumu Hani, but also one of the best films of the sixties.”
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Nanami: The Inferno of First Love [Hatsukoi: Jigoku-hen]
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Toei delivered a cheap imitation of a western espionage-narrative with a severe lack of martial arts.
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Honda delivers another narrative in which Otherness is feared and a deceptive imaginary sense of societal harmony is subtly celebrated.
The Love in Okinawa (琉球之戀, Lin Fu-Ti, 1968)
Though he may be captain of his own boat, a young man finds himself powerless in the matters of love in Lin Fu-Ti’s Taiyupian romance.
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[Review] Love of Kill
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An understated and moving exploration of the impact the demand for the other’s love has on the subject’s ‘relational’ signifiers and acts and of the importance of one’s…
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An ambitious salaryman murders his lover to marry the boss’ daughter only to find himself haunted by his transgression in Koji Shima’s eerie horror noir.
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The Great Villains / 大悪党 / Dai akuto (1968)
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