“Ohku delivers, once again, a refreshing and highly touching romance-comedy.”
Aug 13, 2021 • Subscribe
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‘Seta’s poetically composed narrative blows a fresh breeze into the ‘traditional’ Japanese romance genre.’
Shin-Ultraman (2022) review [Fantasia Film Festival]
Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able…
Tokyo Revengers (2021) Review [Fantasia Film Festival]
“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”
The Fish Tale (2022) review [Fantasia Film Festival]
A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal…
Dreams of Fire (2021) review [Fantasia Film festival]
“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”
Convenience Story (2022) review [Fantasia Film Festival 2022]
Miki delivers a great psychological mystery narrative, yet it might not be for everyone.
Hold Me Back 私をくいとめて Director: Akiko Ohku (2020) [New York Asian Film Festival 2021]
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Love, Live, and Goldfish (2021) review [Fantasia Film Festival]
“While Makabe’s narrative does not offer anything truly new or groundbreaking, what it does brings to the table is served with excellence.”
The Mole Song: Final (2021) review [Fantasia Film Festival]
Miike’s narrative delivers everything a fan of the previous narratives desires and even succeeds in inviting newcomers to delve into Reiji’s past exploits.
My Broken Mariko (2022) [Fantasia Film Festival]
Tanada offers a compelling exploration of the emotional turmoil a female subject caused by the sudden death of someone important.
Jigoku-no-hanazono ~Office Royale~ (2021) review [Fantasia Film Festival]
“An absurd and crazy cocktail full of violence and funny twists and unexpected turns.”
Fantasia International Film Festival Confirms Complete 2022 Programme
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Fantasia International Film Festival Confirms Complete 2021 Programme
In cinemas and streaming across Canada Aug. 5 – 25
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Fortune Favors Lady Nikuko (2021) [Fantasia Film festival]
“A great animation film that offers an emotional and moving celebration of the strength of the bond between a daughter and a mother.”
Hold Me Back (私をくいとめて, Akiko Ohku, 2020)
A solitary young woman begins to reassess her life choices after developing a non-relationship with a perfectly pleasant colleague in Ohku’s quirky rom-com
Five Films Not To Miss [Fantasia Film Festival 2022]
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What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]
“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the…
The Pass: Last Days Of The Samurai (2022) review [Fantasia Film Festival]
A very engaging samurai narrative that does not only offer an intriguing glance at one of the most important crossroads of Japanese history, but also a melodramatic exploration…
The Pass: Last Days Of The Samurai (2022) review [Fantasia Film Festival]
A very engaging samurai narrative that does not only offer an intriguing glance at one of the most important crossroads of Japanese history, but also a melodramatic exploration…
River (2023) review [Fantasia Film Fest 2023]
If you like low-key humour and some time-twisting fun, you should not miss Yamaguchi’s latest.
Follow The Light (2021) review [Fantasia Festival 2021]
The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths…
Insomniacs After School (2023) review [Fantasia Film Fest 2023]
Ikeda’s narrative contains all the right ingredients, but the final mixture is not able to give the narrative the emotional impact it looks for.
Kakegurui 2: Ultimate Russian Roulette (2021) review [Fantasia Festival 2021]
“Hanabusa’s second outing proves to be as enjoyable and thrilling as the first.”
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Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
Joint ジョイント Director: Oudai Kojima (2020) [Osaka Asian Film Festival 2021]
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A powerful drama about reckoning with grief, “yes, yes, yes” is powered by raw performances from its brilliant cast. yes, yes, yes Director: Akihiko Yano (2020) [Osaka Asian…
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