Rating: 47/100No joke, when Seven Seas first announced they licensed this light novel called I Wish I Could Meet You Again On The Hill Where That Flower Blooms and read the premise, my first thought was "Wow, I wonder how much this is gonna try to romanticize or glorify Japan's World War II history?" Yeah, let's face it, Japan doesn't exactly have the best track record when it comes to acknowledging its own war crimes, especially in regards to what they did in countries like China and Korea, and would much rather never give them a second thought. Having studied the formation of modern Japan in college, this even bleeds into their media and pop culture, where Japan always portrays itself as the victim rather than the perpetrator, and that aspect should absolutely be scrutinized and criticized. Granted, I do feel even Japan's own depictions of WWII in their own media has value outside of that and shouldn't be wholly discounted. That said, even they aren't above treating their own history rather thoughtlessly, so I was sure this light novel about a modern-day girl being sent to 1945 and falling in love with a kamikaze pilot would be a lazy, overly romanticized mockery of World War II. To my surprise...yeah, it's exactly that.14-year-old Yuri Kano can't stand how boring and suffocating her life has become, and has started acting out. She doesn't care for school, hasn't made any friends, and annoys her teachers with her outspoken nature. After she gets into a fight with her mother, Yuri leaves to go cool her head, hiding in an old air raid shelter. But to her surprise, she finds that she's been transported to the year 1945, right in the waning days of World War II. As she's struggling to make sense of what's going on, she encounters 20-year-old Akira Sakuma, a kamikaze pilot who helps her out. Yuri tries to adjust to her new surroundings, but finds herself falling in love with Akira, even though she knows she shouldn't. Can love bloom on borrowed time, or will history tear them apart before it ever has a chance? Honestly, I think you already know the answer to this question. But yeah, not one of the more compelling premises for a book like this, and having a modern girl be magically sent back in time just feels lazy to me, like the creator couldn't be bothered to just make a historical piece about someone who actually lived through the period and show what their life is like, something In This Corner of the World, Godzilla Minus One, and Ushiro no Shoumen Daare did quite well IMHO.But hey, it's like I always say, even a cliche premise can be done well with good writing and execution, so surely its prose and character writing can make up for that, right? Well...the prose is good. I never had trouble following what was going on, and its descriptive enough to be engaging but not so much so that people in its intended demographic can't comprehend it. It's fine for what it is, and the authoress mentioned in the afterword that this was her first novel, so it's to be expected that someone's first attempt at writing isn't going to be groundbreaking. I unfortunately can't say the same for the characters because they are all about as bland and generic as white rice. Every single character has one archetypal personality trait that they never grow out of, and even Yuri's whole arc of going from a bratty teenager to someone more appreciative of what she has falls completely flat because her growth feels less like she organically changed into a better person and more like she instantly becomes nicer the second she falls into 1945. It also falls flat because of something else I'll mention further down. Plus, everything comes much too easily to Yuri, so it never feels like she's truly challenged or forced to confront her views. Not to mention Akira is way too perfect for his own good, bordering on an overly idealized Gary Stu who can do no wrong, and all the other characters exist just to shill Yuri and nothing else. The only character who I found to even be somewhat interesting is Itakura, a minor character, but he leaves the story as soon as he gets any semblance of character.Not to mention the very thing this novel tries to sell, the romance between Yuri and Akira, is also its biggest detriment. I don't buy their romance at all, namely because 1. Yuri falls for him literally at first sight, 2. There's no point in getting invested in it because Akira being a kamikaze pilot pretty much telegraphs that it'll never happen, 3. You really expect me to believe that Yuri would suddenly want to devote herself to a guy she's only known for a few days at most, who she only sees at rare intervals because of the nature of his work? 4. Akira actually reciprocates her feelings at the very end, and I honestly can't fathom why he'd find himself falling for a 14-year-old girl he's only known for a few days considering he's accepted that he's going to die in battle. Finally, six-year age gap. Ew. I honestly think Shiomi-san would have been better off had she made the main character someone who actually lived through the period, or had her be well acquained with Akira, because not only would it be more interesting, it'd make whatever fleeting romance they'd have more palpable and genuine. Though Shiomi-san stated in the afterword that she made the MC a modern day girl sent back in time because she felt readers would relate more to Yuri upon seeing that people growing up now consider World War II to be too far removed from their own lives to relate to. I can understand the sentiment, but this just feels like a really lazy way to do it.Now, to the novel's credit, it does make a valiant effort to condemn war itself, the violence that ensued from it, and the whole concept of kamikaze pilots. I don't know if this particular bit was in the Japanese version or part of the translation, but it very subtly mentions that Japan attacked other countries as well, though doesn't go into detail beyond a throwaway line, and even mentions that the Yasukuni Shrine is now considered controversial due to enshrining the remains of war criminals. It's not the most damning condemnation of its own war crimes, but hey, I'll take what I can get. I think at this point we ought to just accept that Japan is never going to outright condemn its own war crimes in any of its pop culture. You certainly don't see anime covering stuff like, say, the Rape of Nanking. The authoress clearly meant for this to be a historical coming-of-age romance with the message that people who never grew up during war need to appreciate what they have and not take it for granted. Now, I'm not opposed to the message here, as it's a much needed one, especially in these trying times, and considering how entitled people have gotten in the past few years, there are definitely people who need that message hammered into their heads.However, I think the novel completely botched its own message too. The prologue is meant to show Yuri as being a bratty teenager who annoys her mother and teachers, and she does do so, but both her mother and teachers are depicted as so comically, exaggeratedly cruel and mean-spirited towards her that I couldn't bring myself to see Yuri as being entirely in the wrong. The teacher yells at her for the oh-so-terrible crime of not paying attention in class and then throwing a tantrum like a toddler when she snarks at him, and the book wants us to sympathize with Yuri's mother, saying that her husband left and has to work two jobs to support her. However, in practice, we never see Yuri's mother be anything except angry, even emotionally manipulative, and abusive towards Yuri. Seriously, what is it with Japan and trying to convince people that parents who slap their kids, call them a spoiled brat without irony, and say guilt-trippy things like "You always cause me so much trouble all the time! What are you going to do to make it up to me?!" or "You're no child of mine!" means they're good parents? Furthermore, the novel also violates "show, don't tell" by not attempting to show Yuri's mother being kind to her except for one scene at the end, reducing any moments they might have had together to just one-off paragraphs that don't amount to anything, which further undermines its message of being grateful for what you have. Because of all this, the message of not taking your life for granted comes off more like "Hey, kid, you really ought to appreciate the mother that yells at you, hits you, and calls you names. You need to be happy that you get to go to school where you get treated like garbage for existing by teachers who couldn't give two shits about you." Like...why should anyone be grateful for people who do nothing but berate them and treat them like garbage? I mean, sure, Yuri does act like a brat sometimes, but lots of teenagers pulled the shit she did at least once in their lives, and I find the idea that she has to just accept being treated like a leper for...just being an annoying teenager to be absolutely abhorrent. It'd be one thing if the novel was longer and expanded more on the other characters to give them more depth, but alas, tis not to be.In the end, I Wish I Could Meet You Again On The Hill Where That Flower Blooms is just another cliche time travel romance that ultimately doesn't really have anything new to say. It only uses World War II as a backdrop for its trite love story, doing little but making a mockery of WWII and all that happened in it. If you look at it from that lens and don't expect too much from it, you can find a short, sweet read that doesn't offer much in the way of substance. I might check out the live-action movie and see how that fares compared to this. I know they changed Yuri's age from 14 to 18 in the movie, which gets rid of the icky age gap aspect of it. If you're a history buff who expects it to be treated with the weight and gravitas it deserves, give it a miss.
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